“Janas is astonishing and powerful in the role of Lizzy Bennet. She embodies the much-loved protagonist beautifully. As an actress, Janas radiates intelligence, confidence, and charm.”

“Angie Janas, as Florence, the fiancee of the murder victim, gives another deliciously showy performance. She leans into the physicality of the role, punctuating every line with a shoulder shimmy or a dancerly pose.”

“Janas plays Charlotte Corday…Her blunt passion for her cause was so evident, and her strength was admirable. I commend Janas for bringing this inspiring resilience to life.”

“Angela Janas plays the shyness of the girl perfectly, retreating physically from human interaction...She, without a word uttered, moves the audience to tears. She is an actress with that gentle ability and it is a joy to watch her work in this role.”

“...the biggest surprise is the young mistress of the king, played by Angela Janas. In an unusually well-articulated performance, she transforms Alais into someone who’s fully self-possessed, and frequently the equal of the Plantagenets that surround her.”

“…none command the stage as does Angela Janas when she transforms Ophelia’s mad scene into a lilting song that moves from discomforting to creepy to deeply haunting.”

“Ophelia is usually a pretty thankless and forgettable part, but I was stunned by Janas’ performance...It’s thrilling to watch and gives a whole new perspective on an oft-too-neglected role..”

“Sabine—Angela Janas—d’Artagnan’s younger sister and traveling companion, is an invention of Mr. Ludwig’s, but she is adventure-hungry and adept with a sword...”

“…Most interesting of all is Ms. Janas whose Juliet is an innocent but intelligent girl-woman who knows just enough about sex to simultaneously fear and long for it.”